in my heart i do no crime...
And now for some 5-second movie reviews:
Lars von Trier's Dogville: A most experimental film that tests the limits of human decency in the face of utter helplessness. Indeed, greed is shown to be a powerful stimulus that transforms even the saints among us. However, von Trier has explored these themes before in his brilliant Breaking the Waves. Dogville is much too focused on its own experimentalism to allow us an intimacy with the characters that is necessary in such serious dramas. B-.
Todd Phillips' Starsky and Hutch: Predictable and stale. Surprisingly enough, the only worthwhile performance is that of Snoop Dogg as street informer Huggy Bear. Snoop is a natural on the screen, giving us a smooth dose of subtle humor and restrained grooviness. Otherwise, the film is eminently forgettable. C-.
David Koepp's Secret Window: Adapted from the Stephen King novella Secret Window, Secret Garden, this watchable psychological thriller sustains our interest with some genuinely creepy moments and a confident Johnny Depp. Yes, the film uses every cliche in the book, but it works for what it is. B.
Kim Ki-Duk's Spring, Summer, Fall, Winter... And Spring: A beautifully-shot meditation on life's cycles. However, if you know anything about Buddhism, there will be very little to learn from the film. It is true to form, but the form itself is no revelation. B.
Guillermo del Toro's Hellboy: Hellboy's arrogant indifference is both his charm and his flaw. It makes him an interesting case study, but a distant, unapproachable character. We cannot relate to him on the level of Spider-Man or the X-Men, all of whom have a distinctly human dimension to their circumstances. Hellboy is just an oddity--nothing more, and nothing less. C.



